Vampire Circus (1972) directed by Robert Young has a great opening that is all about what Hammer was trying to position itself as at the time: a young, attractive, sexy vampire count; naked women; a dash of sadism (a woman being flogged by the villagers); a dash of gore (throats being cut, the vampire being staked); and of course, conservative tradition symbolically asserted at the end, along with the promise of the vampire’s resurrection and vengeance. A strong beginning sets the tone for the rest of the movie which is a hell of a wicked ride.
The film was directed by Robert Young, whose subsequent credits include works by Monty Python alumni (Splitting Heirs, Fierce Creatures), and it is clear why they were drawn to it: Vampire Circus is lighthearted, and moves quickly. Young lacks Terence Fisher’s sense of style, which would only enhance a movie like this with its occult atmosphere. Oh then, he certainly makes up for it with enthusiasm and a sarcastic, grotesque touch.
Lesser known facts about the film:
The movie Vampire Circus was regarded as one of Hammer’s finest.
Twins of Evil and Vampire Circus both utilized the same set.
Mark Morris wrote and released a novelization of Vampire Circus in 2012.